NF, Cast: Colin Clive, Boris Karloff, Mae Clarke, Gods and monsters The door opens and the monster lumbers in, taking his first unsteady baby steps. One month later, in a London hospital, bicycle courier Jim (Cillian Murphy) wakes up from a coma, to find London cloaked in an unearthly silence. That synopsis should offer some insight into the kind of boiling Freudian gumbo Browning serves up. Beautifully designed by ‘Fatal Attraction’ helmer Lyne, ‘Jacob’s Ladder’ feels like an offbeat slice of post-hippy experimentation retooled for the MTV generation: what it lacks in depth and subtlety, it more than makes up for in shock tactics and woozy unpredictability, all anchored in Robbins’s wide-eyed and pitiable central turn. Even the most hackneyed scenes, such as a séance in which a scribbling medium attempts to contact the unquiet spirit of the murdered boy, are staged with consummate skill and emotional conviction. Like ‘The Babadook’, it’s the disruption of domesticity and family trauma that haunts ‘Hereditary’, the debut film from writer-director Ari Aster. AFI's 100 Years...100 Thrills is a list of the 100 most thrilling American films of all time.Regardless of genre, the total adrenaline-inducing impact of the artistry and craft of these films create an experience that engages our bodies and our minds. She runs ahead, throwing off her clothes, splashing into the water... only to be pulled under screaming. The 100 Scariest Movie Moments is an American television documentary miniseries that … To find out which new movie releases made the cut and where demonic Damien from ‘The Omen’ or rotten Regan from ‘The Exorcist’ landed, we present the 100 best horror films. But of course Clarice can’t resist Hannibal the Cannibal – and neither can we. In the context of the satanic cinema craze of the late ’60s and ’70s, ‘The Omen’ is not quite up there with ‘The Exorcist’ or ‘Rosemary’s Baby’. ‘Jaws’ broke box office records, but the production had been such a disaster the crew renamed it ‘Flaws’. TH, Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, More than just the ‘sunken place’Horror films are at their best when the fear stems from the human condition itself. Zombie; 97. The masterstroke, of course, was hiring Swiss madman HR Giger as the film’s chief designer – his work brings a slippery, organic grotesquerie to what could’ve been a straight-up bug hunt (© ‘Aliens’). A journalist (Nanako Matsushima) is investigating a rumour that’s spreading like wildfire among teenagers about a spooky VHS. And why have things started going bump in the night? TH, Cast: Jaeden Lieberher, Bill Skarsgård, Sophia Lillis, Clowning aroundFor some, Tim Curry will always embody Pennywise the dancing clown, a manifestation of fear itself. Try a tender, humane tale of love and betrayal. THE BEST FILMS IN ACTION, DRAMA, HORROR, AND MORE, 100 Scariest Movies of All Time, artwork by Cap Blackard, Metallica’s S&M2 film breaks $5 million at the box office, gets additional worldwide screening, Mrs. Doubtfire musical saying helloooo to Broadway next spring, Robert Fripp and Toyah Cover Guns N' Roses' "Welcome to the Jungle": Watch, Seth Rogen Keeps Telling "Fascist" Ted Cruz to "Fuck Off" on Twitter, Sheila E. Announces New Biopic About Her Relationship With Prince, Ranking David Lynch: Every Film from Worst to Best, Trapt Drummer Quits Band Over Singer's MAGA Rants. The magnificent Lee (who was paid nothing to act in the film) is laird of the manor and master of ceremonies. Listen hard, and you might just be able to hear ‘Paranormal Activity’ director Oren Peli frantically scribbling notes. Soul-sucking spectres appear online and spread like a virus. NF, God save the queenJames Cameron’s ferocious sequel to Ridley Scott’s genre-defining original has been called many things: a war epic, an action movie, but rarely a horror film. There are interviews with locals, footage of the trio getting hopelessly lost in the woods, and increasingly hysterical arguments. Withdrawing from the world, they become lethargic, depressed and ultimately suicidal. Sequels and remakes have come thick and fast, but nothing will ever match your first encounter with the original and its brutal, hammer-over-the-head power. Nicholson is Jack Torrance, a writer working as a caretaker at the isolated Overlook Hotel in the Colorado mountains over winter. We already have this email. ‘Phantasm’ is the film that kickstarted it all, combining inventive DIY horror with a berserk plot involving homicidal space midgets, heroic ice-cream men, flying spheres which drill into the brain and of course the terrifying ‘Tall Man’. TH, Buy, rent or watch 'The Night of the Hunter', Schools out forever There’s much fun to be had with French filmmaker Clouzot’s boarding school-set puzzler from 1955, a suspenseful comic tease with added frights. 100. Even so, Stanley Kubrick’s masterpiece of execution and claustrophobia still retains the power to frighten audiences out of their wits. Cold, creepy and compelling, this is a small film from a massive talent. What’s so unsettling about Peele’s film, however, is just how zeitgeisty it is. Kill! This microbudget American indie was such a flop that it didn’t even get a cinema release in the UK. This being a list of horror movies, we’ll skip over the film’s infamous marital sex scene – still, in this writer's opinion, the most convincing ever filmed – and go straight to the spooky bits: the shots of Venice in winter, all boarded up and lonesome; the two psychic sisters, imparting their impenetrable orphic knowledge; and most of all that hammer-blow of an ending, in which a child-sized crimson Mackintosh coat hides the worst of all possible fears. The noise of everyday life is deafening, Polanski piercing the subconscious to poke at what lies beneath. Cheers, Freddy. TH, Buy, rent or watch 'A Nightmare on Elm Street', Boy meets vampireAn instant classic? In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a horror movie like no other – both brutal and beautiful, artful and exploitative, exploring wacked-out religious concepts with the clinical precision of an agnostic scientist. Boris Karloff, then a relative unknown, was cast by on-the-rise director James Whale, who also brought to ‘Frankenstein’ his trademark dry wit. Yes it has blood, ‘tools for operating on mutant women’ and a general tone of deep disquiet, but it’s first and foremost a study of domestic psychosis under unique circumstances. They slink off to skinny dip. Sign in with Twitter Sign in with Facebook Sign in with Google Welcome to Digg . 52 Horror Movies Based on True Stories. CC, Cast: Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow. He then grafts the victims’ flayed visage on his daughter Christiane’s badly scarred face, which in the meantime is hidden and protected by a featureless plastic mask. Starring British actor Daniel Kaluuya (yep, the guy out of ‘Skins’) as Chris, a photographer accompanying his white girlfriend (Williams) for a weekend with her parents that turns sour, the film’s terror comes from the mirror it holds up to society’s continuing threat of racism. There were reports of audience members fainting during the facial surgery scenes, but for Franju this was a tale of anguish rather than a horror movie per se. What gives us the oomph to spend 24 hours at vintage theaters for horror movie marathons? The imaginatively gruesome killings and chase scenes come thick and fast and the nerve-jangling sound design exacerbates the tension, making it virtually unbearable. One of the first movies to be shot on HD digital video, the film has an unearthly, real-but-not-real sheen that adds immeasurably to its heart-stopping atmosphere of impending doom. Here, it’s the outwardly freakish who are inwardly twisted too (it could even be argued that ‘Freaks’ works as an apology for ‘The Unknown’), as a strangler with two thumbs poses as an armless knife-thrower to seduce a beautiful girl who has a morbid fear of men’s hands. The result is the best British horror since ‘Under the Skin’. CC, Buy, rent or watch 'Let the Right One In', Friends don’t let friends teleportDavid Cronenberg’s delirious reimagining of that old story of a scientist whose experiments with teleportation lead to a nasty genetic mixup, ‘The Fly’ isn’t just one of the very finest horror movies, it’s also one of cinema’s great tragic romances. Guide Picks - Top 10 Scariest Movies Share PINTEREST Email Print Humor. The film was adapted from JB Priestley’s novel ‘Benighted’, and sees a young couple, a chorus girl, a war veteran and a gruff self-made industrialist take shelter in a tumbledown Welsh mansion during a rainstorm. The list had a fairly even mix of movies from different periods and sub-genres, including the silent screamers, the Universal monster movies, Italian giallo, slasher pics and even Asian horror.Moreover, the list included a few movies outside the horror genre because they contained classic examples of Nightmare Fuel. PdS, Cast: Thomas Jane, Marcia Gay Harden, Toby Jones, Situation normal: all fogged upHaving tackled Stephen King twice already – in ‘The Shawshank Redemption’ and its inferior follow-up ‘The Green Mile’ – Darabont made his first out-and-out horror movie with this bleak, pointed adaptation of King’s novella about a mysterious fog which swamps a small town, forcing the inhabitants to take shelter in the local supermarket. CC, Cast: Tatsuya Nakadai, Rentarô Mikuni, Michiyo Aratama, Pack up your troubles Based on traditional Japanese folk tales and filmed in ravishing wide-screen on hand-painted sets, these four stories – of raven-haired women, beautiful female spectres, blind singing monks and ghostly samurai warriors – created a template for much of the indigenous supernatural cinema that would follow. There’s not a splash of green vomit or a single spinning head in director Richard Donner’s suspenseful, Bible-thumping horror classic. What’s remarkable is how clearly he delineates between them: Elliot the steely, ‘masculine’ shark; Beverly the passive ‘feminine’ carer. TH, Director: Brad Anderson Cast: Peter Mullan, David CarusoIt’s a madhouse!This microbudget American indie was such a flop that it didn’t even get a cinema release in the UK. Which meant that those who heeded word of mouth and picked it up on DVD felt like they were making a genuine discovery: it’s a film so bleak, eerie and unsettling that it could never be embraced by a mainstream audience. Horror films are at their best when the fear stems from the human condition itself. Why do we feel the need to sit down and watch John Carpenter’s Halloween for the 568th time every time October rolls around? But it still chills to the bone. The ensuing dance between troubled ascetic and ciggy-smoking sensualist has shades of the psychological frictions of ‘Persona’, a major influence on ‘Saint Maud’, and goes downhill fast from there. As well as the ventriloquist’s episode, the other strong segment is directed by Robert Hamer (‘It Always Rains on Sunday’) and features a mirror that reflects another time and place. NF, All I have to do is dreamOutside the arthouse, horror is the only cinematic genre where pure surrealism is not only acceptable but expected – and there are few more graphic examples than Fulci’s bonkers bayou bloodbath ‘The Beyond’. TH, Director: David Robert Mitchell Cast: Maika Monroe, Keir Gilchrist, Virgin on the ridiculousThere’s nothing wrong with a messy horror movie – flying limbs, cardboard monsters, terrible acting. Shot over five years on a budget scraped together from university funding, art grants and odd jobs (Lynch even had a paper round at one point), ‘Eraserhead’ fits squarely within the tradition of American avant garde cinema, but like many of its fellows (the films of Kenneth Anger, for example) it flirts with horror imagery and has a tone of creeping dread which more than justifies its position in this list. CC, Father knows bestMost of David Lynch’s films were nominated at least once for this list, but only ‘Eraserhead’ actually made it (though ‘Twin Peaks: Fire Walk With Me’ came very close). Embracing the opportunity to shoot in full colour, Bava creates a lurid, entrancing dream-world which clearly informed the work of Argento and Fulci, and indeed any director interested in exploring otherworldly ideas: one scene, where the hero seems to pursue a vision of himself, is an almost shot-for-shot antecedent of David Lynch’s disturbing final episode of ‘Twin Peaks’. With ‘Repulsion’, ‘Rosemary’s Baby’ and finally this Paris-set film, the Polish director proved himself a master of turning the humble flat into frightening domestic terrain. That’s certainly true here. There’s nothing groundbreaking here, but the photography is beautiful, the performances strong and the moments of unease are brilliantly handled and genuinely spooky. Putting it politely, they varied in quality. And for many, it’s as a study of insanity and failure that ‘The Shining’ is so chilling. The sinister ‘sunken place’ has resonated so much that it’s now part of cultural lexicon. Now that’s showbusiness. The Exorcist (1973) Twelve year-old Oskar (Hedebrant) falls for the girl next door Eli (Leandersson). There was no way director Robert Wiene could’ve known how disturbingly prescient his masterpiece of art-horror would turn out to be. Scariest moment: Leatherface popping up in a doorway, clubbing Kirk to the ground and slamming the metal door shut behind him, all to the sound of squealing pigs. plays a young boy who can see and talk to the dead (‘I see dead people’ now up there with ‘I’ll have what she’s having’ in the movie-quote pantheon), while Bruce Willis plays the psychologist who attempts to diagnose his condition. TH, Dirctor: Tod BrowningCast: Lon Chaney, Joan Crawford, A farewell to armsFive years before ‘Freaks’, Tod Browning directed another twisted tale of circus folk falling in and out of love, and doing hideous things to one another. Child star Haley Joel Osment (what happened to him?) Actor-turned-first-time-director John Krasinski shows an almost Hitchcockian command of tension as the slightest creak or spillage can bring slathering hell-beasts raining down from the surrounding countryside. David Fincher would get back to horror basics with ‘Alien 3’, but the series would never regain this level of intensity. NF, Cast: George C Scott, Trish Van Devere, Melvyn Douglas, Did it just get cold in here...?Old fashioned in the best sense of the phrase, Medak’s oft-neglected supernatural thriller uses pure cinematic technique to scare the hell out of us. CC, Buy, rent or watch 'The Silence of the Lambs', Roman á clefWhat is it about Polanski and confined spaces? 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